Boutique festival e innovazione turistica: il caso della Sicilia

Titolo Rivista RIVISTA GEOGRAFICA ITALIANA
Autori/Curatori Arturo Di Bella
Anno di pubblicazione 2023 Fascicolo 2023/1
Lingua Italiano Numero pagine 20 P. 75-94 Dimensione file 0 KB
DOI 10.3280/rgioa1-2023oa15438
Il DOI è il codice a barre della proprietà intellettuale: per saperne di più clicca qui

Vedi l'articolo Scarica l'articolo open access

FrancoAngeli è membro della Publishers International Linking Association, Inc (PILA)associazione indipendente e non profit per facilitare (attraverso i servizi tecnologici implementati da CrossRef.org) l’accesso degli studiosi ai contenuti digitali nelle pubblicazioni professionali e scientifiche

Il format dei boutique festival è promosso da attori pubblici e privati, come modello di evento creativo, sostenibile e fortemente interattivo, che promuove pratiche e processi di innovazione turistica utili a rispondere alle sfide connesse all’emersione del nuovo turismo urbano e al rilancio del turismo nel contesto post Covid-19. Analizzando i discorsi e gli immaginari che accompagnano l’incorporazione del modello globale nelle politiche e nelle pratiche dei boutique festival in Sicilia, si intende riflettere sulle loro potenzialità e criticità in termini di innovazione e rigenerazione creativa e sostenibile del turismo nell’era Covid-19.

Parole chiave:; eventi culturali, turismo post Covid-19, Sicilia

  1. Anderton C. (2019). Music festival in the UK. Beyond the carnivalesque. Londra-New York: Routledge.
  2. Brown A.E. et al. (2020). From headliners to hangovers: Digital media communication in British rock music festival experience. Tourism Studies, 20(1): 75-95. DOI: 10.1177/1468797619885954
  3. Cave J., Dredge D. (2020). Regenerative tourism needs diverse economic practices. Tourism Geographies, 22(3): 503-513. DOI: 10.1080/14616688.2020.1768434
  4. Cudny W. (2016). Festivalisation of Urban Spaces. Dordrecht: Springer.
  5. Devine A., Quinn B. (2019). Building social capital in a divided city: the potential of events. Journal of Sustainable Tourism, 27(10): 1495-1512. DOI: 10.1080/09669582.2019.1639721
  6. Di Bella A. (2020). Global urbanism and mega events planning in Rio de Janeiro amid crisis and austerity. International Planning Studies, 25(1): 23-37. DOI: 10.1080/13563475.2019.1701423
  7. Id. (2022). Geografia del turismo urbano. Bari-Roma: Laterza.
  8. Duxbury N. et al. (2021). Creative Tourism Development Models towards Sustainable and Regenerative Tourism. Sustainability, 13(2): 1-17. DOI: 10.3390/su13010002
  9. Füller H., Michel B. (2014). Stop Being a Tourist! New Dynamics of Urban Tourism in Berlin-Kreuzberg. International Journal of Urban and Regional Research, 38(4): 1304-1318. DOI: 10.1111/1468-2427.12124
  10. Getz D. (2008). Event tourism: definition, evolution, and research. Tourism Management, 29(3): 403-428. DOI: 10.1016/j.tourman.2007.07.017
  11. Id., Andersson T.D. (2008). Sustainable festivals: On becoming an institution. Event Management, 12(1): 1-17. DOI: 10.3727/152599509787992625
  12. González S. (2011). Bilbao and Barcelona in motion. How urban regeneration models travel and mutate in the global flows of policy tourism. Urban Studies, 48(7): 1397-1418. DOI: 10.1177/0042098010374510
  13. Hall S. (1997). Representation: Cultural Representations and Signifying Practices. Londra: Sage.
  14. Harvey D. (2013). Città ribelli. I movimenti urbani dalla Comune di Parigi a Occupy Wall Street. Milano: Il Saggiatore.
  15. Häussermann H., Siebel W. (1993). Die Politik der Festivalisierung und die Festivalisierung der Politik. Große Ereignisse in der Stadtpolitik. In: Häussermann H. and Siebel W., a cura di, Festivalisierung der Stadtpolitik: Stadtentwicklung durch große Projekte. Wiesbaden: Springer Fachmedien.
  16. Hazel D., Mason C. (2020). The role of stakeholders in shifting environmental practices of music festivals in British Columbia, Canada. International Journal of Event and Festival Management, 11(2): 181-202. DOI: 10.1108/ijefm-07-2019-0037
  17. Jakob D. (2013). The eventification of place: Urban development and experience consumption in Berlin and New York City. European Urban and Regional Studies, 20(4): 447-459. DOI: 10.1177/0969776412459860
  18. Johansson M., Toraldo M.L. (2017). From mosh pit to posh pit: Festival imaginary in the context of the boutique festival. Culture and Organization, 27(3): 220-237. DOI: 10.1080/14759551.2015.1032287
  19. Mair J., Smith A. (2021). Events and sustainability: why making events more sustainable is not enough. Journal of Sustainable Tourism, 29(11-12): 1739-1755. DOI: 10.1080/09669582.2021.1942480
  20. McCann E., Ward K. (2010). Relationality/territoriality: Toward a conceptualization of cities in the world. Geoforum, 41(2): 175-184. DOI: 10.1016/j.geoforum.2009.06.006
  21. Muñoz F. (2015). Urbanalisation and city mega-events: From copy&paste urbanism to urban creativity. In: Viehoff V., Poynter G., a cura di, Mega-event Cities: Urban Legacies of Global Sports Events. Londra-New York: Routledge.
  22. Pritchard A., Morgan N.J. (2001). Culture, identity and tourism representation: marketing Cymru or Wales? Tourism Management, 22: 167-179. DOI: 10.1016/S0261-5177(00)00047-9
  23. Quinn B. (2005). Art Festival and the City. Urban Studies, 42(5-6): 927-943. DOI: 10.1080/00420980500107250
  24. Richards G. (2020). Designing creative places: The role of creative tourism. Annals of Tourism Research, 85, 102922: 1-11. DOI: 10.1016/j.annals.2020.102922
  25. Robinson R. (2015a). Music festivals and the politics of participation, Londra-New York: Routledge.
  26. Id. (2015b). No Spectators! The art of participation, from Burning Man to boutique festivals in Britain. In: McKay G., a cura di, The Pop estival: History, Music, Media, Culture. New York: Bloomsbury.
  27. Rowen I. (2022). The transformational festival as a subversive toolbox for a transformed tourism: lessons from Burning Man for a Covid-19 world. Tourism Geographies, 22(3): 695-702. DOI: 10.1080/14616688.2020.1759132
  28. Schmidt B. (2017). Boutiquing at the Raindance Campout: relational aesthetics and festival technology. Dancecult: Journal of Electronic Dance Music Culture, 7(1): 35-54. DOI: 10.12801/1947-5403.2015.07.01.02
  29. Szmigin et al. (2017). Socio-spatial authenticity at co-created music festivals. Annals of Tourism Research, 63: 1-11. DOI: 10.1016/j.annals.2016.12.007
  30. TEDxTalks (2011). Transformational festivals: Jeet Kei Leung at TEDxVancouver, Youtube, 20 agosto. www.youtube.com/watch? v=Q8tDpQp6m0A, ultimo accesso 4 marzo 2022.
  31. The Independent (2022). The 18 best festivals in the UK and Europe for 2022, 14 giugno. www.independent.co.uk/arts-entertainment/music/features/festivals-uk-europe-2022-glastonbury-b2100532.html, ultimo accesso 25 giugno 2022.
  32. Tribe J., Mkono M. (2017). Not such smart tourism? The concept of e-lienation. Annals of Tourism Research, 66: 105-115. DOI: 10.1016/j.annals.2017.07.001
  33. Van Limburg B. (2008). Innovation in pop festivals by co-creation. Event Management, 12(2): 105-117. DOI: 10.3727/152599509787992571
  34. Van Winkle C.M. et al. (2019). Information and communication technology and the festival experience. In: Mair J., a cura di, Routledge Handbook of Festivals, Londra-New York, Routledge.
  35. Werner K., Griese K.M., Faatz A. (2020). Value co-creation processes at sustainable music festivals: a grounded theory approach. International Journal of Event and Festival Management, 11(1): 127-144. DOI: 10.1108/ijefm-06-2019-0031
  36. Yeganegy R., (2012) The politics of participation: Burning Man and British festival culture, Tesi di dottorato, Università di Leeds. Online: https://core.ac.uk/download/pdf/29029887.pdf, ultimo accesso 6 giugno 2022.
  37. Zifkos G. (2015). Sustainability Everywhere: Problematizing the Sustainable Festival Phenomeno. Tourism Planning and Development, 12(1): 6-19. DOI: 10.1080/21568316.2014.960600

  • Computational Science and Its Applications – ICCSA 2023 Workshops Brunella Brundu, Silvia Battino, Stefano Carboni, pp.37 (ISBN:978-3-031-37125-7)
  • La classificazione delle aree interne siciliane mediante la revisione dei criteri e degli indicatori SNAI Luigi Scrofani, Filippo Accordino, in RIVISTA GEOGRAFICA ITALIANA 2/2024 pp.63
    DOI: 10.3280/rgioa2-2024oa17809

Arturo Di Bella, Boutique festival e innovazione turistica: il caso della Sicilia in "RIVISTA GEOGRAFICA ITALIANA" 1/2023, pp 75-94, DOI: 10.3280/rgioa1-2023oa15438